organisation. Second, although Wollheim was well-served by various collections of his work to 1994, at that point some important articles and reviews had yet to be selected for republication--in some cases available only in locations difficult to access--as well as his having published further work after 1994. The present volume fills both gaps: it thus provides the final pieces for a complete collection of Wollheim's works in the philosophy of art.This is one of three planned volumes of Wollheim's previously uncollected work for Oxford University Press. The others are Writing on Political Philosophy, edited by Jonathan Wolff; and Writing on Philosophy and the Mind, edited by Garry Hagberg.2d:T412,Attempts to persuade us - to believe something, to do something, to buy something - are everywhere. What is less clear is how to think critically about such attempts and how to distinguish those that are sound arguments. Critical Thinking: A Concise Guide is a much needed guide to argument analysis and a clear introduction to thinking clearly and rationally for oneself. Accessibly written, this book equips readers with the essential skills required to discuss a good argument from a bad one.

Key features of the book include:
* Clear, jargon-free discussion of key concepts in argumentation
* How to avoid common confusions surrounding words such as truth, knowledge and opinion
* How to identify and evaluate the most common types of argument
* How to spot fallacies and tell good reasoning from bad
* Chapter summaries, exercises, examples, and a glossary

The second edition has been updated to include topical new examples from politics, sport, medicine and music, as well as new exercises throughout.

2e:T64b,Gary Kemp presents a penetrating investigation of key issues in the philosophy of language, by means of a comparative study of two great figures of late twentieth-century philosophy. So far as language and meaning are concerned, Willard Van Orman Quine and Donald Davidson are usually regar