Betty Whiteman Feves (1918-1985) belongs to a generation of mid-century vanguard artists who set the stage for dynamic shifts in the use of clay i art. Feves' work and life in art subverts the popular, male-dominated narrative of post-World War II ceramics. Academically trained, Feves studied with Clyfford Still and Alexander Archipenko in the late 1930s, worked in a design studio in New York during World War II, then chose to live, work, and raise her four children in Pendleton, Oregon where she remained for the next 40 years.