Author Description

The seventh issue of Dark Mountain opens with Jeremy Dyer’s ominous image of a burning mountainside, followed by ‘Fire on the Mountain’: an editorial essay that considers what it means to question civilisation, to speak up for the intuitive, for the non-rational, and for a renewed relationship with the land beneath our feet – and specifically, what it means to do so in a time when the Enlightenment project of liberalism, democracy and reason is under attack from alarming forces in many western countries. This is an invitation to address the failing of the official stories that is feeding the politics of hatred: to draw out the shadow-stuff of anger, fear, exclusion and severance, drop by drop, to be alchemised by the clear light of honesty and understanding. Confronting the shadow is never easy – it can lead you to uncomfortable places and introduce you to ill-mannered travelling companions. Within the pages of this book, a company of creatures gather around a campfire. As you join them, you may find yourself conversing with fierce-toothed wolves or primeval lizards; may be confronted with the false coin of travelling tricksters or the hairy stink of ancient machismo; may be served up the oil-stained shrimp of an eroding community, or the raw catch of a broken relationship; you may find yourself crawling down a New York sidewalk, or lying, wire-cutters in hand, beneath the belly of an industrial machine. You may hear a low growl from the darkness at your back. But look deep enough into these shadows and you may stumble across the unexpected: the tenderness of connection that comes from facing death squarely; a woman entering the shadows of a cave, transfigured into light; the sudden life of a circling swift. And behind the conflicts and chaos of our civilisation’s early struggles lie the traces of an older wisdom: voices of the indigenous, the neanderthal, the animal whisper to us across the years – or speak directly to us here and now, if only we