Author Description

How the temporalities of past, future, and present have been used in Cuban political rhetoric and expressed in Cuban culture "A very important work of political philosophy. It is a provocative read, and elegantly written."-Lisandro Pérez, author of The House on G Street: A Cuban Family Saga "An ambitious, challenging text that defies disciplinary divides. Torres makes a powerful case for Cubans' need to leave behind epic narratives of the past or utopian visions of the future to instead focus on a more deliberative, reflective, and consensual political praxis in the present."-Michael J. Bustamante, author of Cuban Memory Wars: Retrospective Politics in Revolution and Exile "Addresses the discussion about democracy in Cuba from an original and fertile terrain where philosophy and politics come together with history and art, or more precisely, with the arts of memory and hope."-Madeline Cámara Betancourt, author of Cuban Women Writers: Imagining a Matria In this fascinating analysis of political discourse in Cuban culture, María de los Ángeles Torres focuses on how the concept of time has been employed by different political projects. While the past and future are often evoked in rhetoric associated with authoritarianism, Torres argues, an emphasis on human actions in the present is important for a more democratic political culture, and she searches over a century of Cuban thought for this perspective. Delving into political texts and essays, literature, and art, Torres puts theories of temporalities in conversation with the Cuban experience. Torres closely examines the use of time and its political implications in Fidel Castro's "History Will Absolve Me" speech, the writings of Jose Martí and Che Guevara, the poetry of Eliseo Diego and the Orígenes group, and paintings and performance art by Cuban exiles Nereida García Ferraz, María Martínez-Cañas, and Tania Bruguera. Recent