Author Description

Machine Generated Contents Note: Pt. I Concepts, Genres And Techniques -- 1. Theodor Adorno, Peter Burger And Oswald Wiener, Or How To Apply Neo-avant-garde Theory To Neo-avant-garde Texts / Thomas Eder -- 2. Despite Straight Lines: Josef Albers, Concrete Poetry And Temporal Relations / Vincent Broqua -- 3. Multi-faceted Images Of Reality: Montage In Documentary Literature From The Long 1960s / Lieselot De Taeye -- 4. Foundists And Erasurists / Michel Delville -- 5. In Praise Of Hybrid Purity: Nomadism And Pierre Joris / Jan Baetens -- 6. Enigmatic And Revealing: Lucienne Stassaert's Neo-avant-garde Short Story Collection Verhalen Van Dejonkvwuw Met De Spade (1964) / Nele Janssens -- 7. Sound Poetry In France: A Neo-avant-garde? / Gaelle Theval -- 8. Surrealism Old And New In Three Generations Of Prose Poets: The Case Of The Low Countries / Hans Vandevoorde -- 9. Uneven Developments: Bande Dessinee, Rear-guard And Neo-avant-gardes / Benoit Crucifix -- 10. Differentiating The Return Of The Real: Towards An Interdisciplinary Concept Of The Neo-avant-garde / Sabine Muller -- Pt. Ii Movements And Authors -- 11. `a Riot Is The Language Of The Unheard': Neo-avant-garde Poetic Uprisings In The Era Of The Black Arts Movement / Antonia Rigaud -- 12. The Neo-avant-garde In Latin America: The Case Of Mario Bellatin / Use Logie -- 13. Sycorax' Revenge: Kamau Brathwaite And A Caribbean Version Of The Neo-avant-garde / Christine Pagnoulle -- 14. `belonging Nowhere?': Labelling British Experimental Women's Fiction Of The Long Sixties / Hannah Van Hove -- 15. Constraint And Rule: Oulipo And The Neos / Jean-francois Puff -- 16. A Third Term? Avant-garde On The Fence In France Since The 1990s / Jeff Bank -- 17. The Austrian Post-war Anomaly: Konrad Bayer's Montage The Head Of Vitus Bering And The Category Of The `new' / Roland Innerhofer -- 18. Surrealism In Post-war Vienna / Christian Zolles -- 19. Images Of The Real: Generic And Medial Hybridity In Peter Weiss's The Shadow Of The B