The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, the twelfth, contains material by Derek Seagrief, Kathelin Gray, Val Denham, Matthew Levi Stevens, Julio Mendes Rodrigo, Charlotte Rodgers, Jesse Bransford, Gustaf Broms, Gabriela Herstik, Miguel Marques, Vicki Bennett, Jack Stevenson, Alexander Nym, Dave Lee, Gary Lachman, Tom Banger, Anna Sebastian, Lionel Snell, Aki Cederberg, Freek Wallagh, Thomas Bey William Bailey, Frater UD, Billie Steigerwald, Emma Doeve, Gordan Djurdjevic, Nicholaj de Mattos Frisvold, Hagen von Tulien, Carlos Abler, Peter Jenx, Robert Podgurski, Mitch Horowitz, Vanessa Sinclair, Devin Person, Peter Sjöstedt-H, Henrik Dahl, Ana Leorne, Peggy Nadramia, Anders Lundgren, Karin Valis, and Carl Abrahamsson, on topics as diverse as magico-anthropology, planetary myths, Genesis P-Orridge, Industrial music, Coil, magical patterns, sacred geometry, performance art as magical ritual, cinemagic and experimental film, Tod Browning’s “Freaks,” conspiracy theories, JG Ballard, Perttu Häkkinen, elemental dogs, Johanna Wagner and African clan-animals, gnosticism, Babalon, Aleister Crowley, the sex magic of the Fraternitas Saturni, Thai amulet magic, Oscar Wilde & Taoism, mind power, Freud and the Occult, fictional wizards, psychedelics and philosophy, Peter Whitehead, Umberto Eco, the Russian Embassy in San Francisco, the backstory of Anton LaVey’s The Compleat Witch, Satanic comics, AI Language Models, new poetry, and much more...