Author Description

The discussion about such a complex topic as arts at the margins, their relation to the global art market and the violence that occasionally marks this relationship? be it as exclusion, as a medium of arbitrary hierarchization, or appropriation? is manifold and highly interesting.0In their contributions, the authors and editors address the extraordinary heterogeneity of the arts? ranging from textiles to masks, statues, paintings, theatre performances and poems: for a long time many of these arts have been (and some still are) assigned to?folk? art and not to art. The contributions show that and how these categorizations can no longer be justified? especially since aesthetic categories can no longer be thought of as universal. Based on field research all over the world (New Zealand, Australia, Japan, Indonesia, India, Rwanda, Martinique, Brazil), the authors analyse art production in all its facets: including social/cultural embeddedness, political conditions, geographical features, historical formations as well as changing perception patterns of local producers as well as the global actors of the art world.0In short, they prove the power of art production as well as of the works and their extraordinary agency. The analyses refer to important theoretical approaches of the anthropology of art, above all, to Alfred Gell's approach developed in 'Art and Agency'. Inspired by this, concepts such as Andrea Grieder's?poetic efficacy? are generated. New concepts such as Gita Wolf's?symbolic inversion? are also created. The benefit of reading these differentiated and empirically grounded contributions lies in the aesthetic richness they convey, in the possible transformations they suggest in a wide range of local as well as translocal settings, and finally, in furthering the approach of unraveling dichotomic thinking in the field of arts as well.