In this genuinely productive interdisciplinary dialogue, engineering scientists, archaeologists and historians discuss how recent exciting developments in imaging, image analysis, and image display/diffusion can be applied to three-dimensional objects of material culture from the classical world, ranging from inscribed writing tablets to buildings and urban sites. The fifteen papers explore the ways in which the scientific contributors and the historians are thinking about subjectivity of interpretation, visual cognition, and the need to improve the presentation of evidence so as to feed directly back into their own scientific thinking and to encourage genuine innovation in developing methods of image-enhancement and the interpretation of objects.