Author Description

This publication presents an exploration of space and spatiality in the arts, more specifically the poetry of (abstract) space and the (psychological) perception of space. With a particular focus on immersive installations, spatial sound, multi-screen projections, audiovisual performances, and the innovative artistic use of technology that often takes centre-stage at Sonic Acts, the publication provides insights into the various ways in which the arts approach and define space. Among others, the critical essays explore extremely long sound waves, volcano eruptions and Alvin Lucier, the fascinating history of dioramas, the legendary Vortex concerts of Henry Jacobs and Jordan Belson and the ways in which mobile and location-aware technology profoundly changes the use of social and public space. Interviews with artists, architects and composers shed light on how contemporary artists approach space and spatiality.