Chloé Delarue?s (born 1986) work first strikes the eye through its sculptural presence and recurring materials such as latex, neon, cables, dissecting devices and other undead elements of the electronic age. The thinking supporting the neo tech industries is used as a means for aesthetic and theoretical perception leading to simulités in becoming, which inspire her sculptures whose ambiguous finitude reveals ±a future already aged before we reach it?, condensing perspectives corrupted by the permanent updating of our modes of existence.