Author Description

The tenth-century Chinese handscrollThe Night Banquet of Han Xizai(attributed to tenth-century artist Gu Hongzheng), long famous for its depiction of a decadent party hosted by a government official, is used by De-nin Lee to explore how art objects are created and the many sociopolitical eras and individual hands through which they pass. By the tenth or eleventh century, and in earnest by the thirteenth, viewers of Chinese paintings lodged their responses to a work of art directly on the object itself, in the form of seals, inscriptions, and colophons. The scrawls and markings may amount to distractions for the seasoned admirer of European easel painting, but Lee explains that a handscroll painting without its complement of textual accretions loses its very history. Through her deft detective work, we watch the Night Banquet handscroll-much like the enigmatic seventeenth-century Cremonese instrument in Francois Girard's filmThe Red Violin-travel through the centuries from owner to owner and viewer to viewer, influencing and being influenced by the people who contemplate it and add their thoughts, signatures, and seals to its borders. Treating the scroll as a co-creation of painter and viewers, Lee tells a fascinating story of cultural practices surrounding Chinese paintings. In effect, her book addresses a question central to art history: What is the role of art in a society? De-nin Leeis assistant professor of art and Asian studies at Bowdoin College in Maine. "A tour de force of historical scholarship,The Night Banquetis an engaging narrative that at times reads like a detective novel. Lee investigates every individual who saw, wrote on, or commented about the scroll, and she leads the reader on an enticing journey of discovery that provides both an overview of Chinese history and an in-depth reading of this extraordinary work of art."-Ankeney Weitz, Colby College "Lee has been immensely successful in her