One Shot: Hitchcock's Crime Scenes / Luke Robinson And Melanie Robson -- The Lodger (1927): Contaminating British Silent Cinema / Sebastian Smoliński -- The Manxman (1929): Witten On The Water: Hitchcock's Dissolving Ink / Tom Gunning -- Sabotage (1936): A Thriller And Its Aftereffects / Helen Hughes -- Rebecca (1940): The Impure Object Of Vision / Bruce Isaacs -- Shadow Of A Doubt (1943): Performing A Murder(er) / Melanie Robson -- Aventure Malgache (1944): French Colonial Tensions / Charles Barr -- Rope (1948): Chromatic Design And Neon Light / Sarah Street -- Rear Window (1954): Intermedialities Of Peeping In The Plural / Martin P. Rossouw -- To Catch A Thief (1955): Stanley Cavell And The End Of A Conventional Myth / Susana Viegas -- The Man Who Knew Too Much (1956): Hitchcock Remakes Himself In Hollywood / Megan Carrigy -- The Wrong Man (1956): Towards Singularity / Noa Steimatsky -- Vertigo (1958): Labor In A Single Shot / Domietta Torlasco -- The Birds (1963): Trauma And The Right Of Reply / Julian Murphet -- Marnie (1964): Restroom / Jodi Brooks -- Frenzy (1972): Pulling Focus Between A Woman's Face And A Face Of Death / Luke Robinson. Edited By Luke Robinson And Melanie Robson. Includes Bibliographical References. Electronic Reproduction. Ann Arbor, Mi Available Via World Wide Web.