Author Description

Introduction Catherine Hoad, Geoff Stahl, And Oli Wilsonnavigating A Neoliberal City: Experimental Music Making In Aotearoa/new Zealand's 'cultural Capital'geoff Stahlsharing Languages Through Contemporary Song In The Third Space: A Case Study Of Intercultural Collaboration Between Indigenous Australian, Polynesian And Melanesian Womenkatelyn Barney And Lexine Solomonthe Personal And The Political: African Popular Music And Diasporic Heritage In Australia.bonnie Mcconnell Resisting Through Music Under The Neoliberal Authoritarian Regime: Political Themes In Turkish Rap Songsgülüm Şenerrapping About Our History, Imagining Our Future! The Great Legacy Project In The Korean Variety Show Infinite Challengejeeyun Sophia Baikyes, Indeed: Trap And Politicseduardo Barros-grelalooping Alone, Together: Music, Community, And Environmental Self-sustainability In Aotearoa/new Zealandcatherine Hoad And Oli Wilson'half-moghul, Half-mowgli': The Representation Of South Asian Diasporas In Hip Hop Musicjulia Szivaklocating Labour Subjectivities In Contemporary Popular Music Textsellis Jonesbeyond Hegemony: Siksa And The Politics Of Affectartur Szarecki'a Message Etched On Broken Ships': Radical Environmentalism And Extreme Ecometal Ian Collinsongood Citizenship, Telethon And Benefit Concert: The Politics Of The Achievabledavid Baker And Andy Bennettsolidarity As Strategy. Anti-racism And Feminism In The Work Of Titiyoann Wernernostalgia, Anti-victim Discourse, And Neoliberalism In Early 1990s Pop: The Postfeminist Approach Of Wilson Phillipssaesha Senger White Skin, Black Masks: Die Antwoord, Post-apartheid South Africa, And Global Hip Hop Studies.seth Cosimini'i Am The Cause To All Your Problems': Brand New, Tattoo Coverups, And (im)permanence.paige Klimentouneon-nazis: A Fascist Foray Into Vaporwave's Synaesthetic Worldalican Koc Afterwordmartin Cloonan Electronic Reproduction. London Available Via World Wide Web. Catherine Hoad Is Senior Lecturer In The School Of Music And Crea