Author Description

Introduction / Birgit Bauridl, Katrin Horn, Leopold Lippert, Ilka Saal, Pia Wiegmink -- The San Francisco Opera House as a music theater commons: performing Heart of a soldier ten years after 9/11 / Nassim Winnie Balestrini -- Performing il/legibility: staging miscegenation in in Oroonoko and Inkle and Yarico on the late eighteenth-century stage / Theresa Saxon -- Absence and cracks in Erica Mott's technopera 3 singers / Andrea Zittlau -- Transatlantic musical performances for American Indian sovereignty in late Cold War Central Europe / György Tóth -- Border movement: transnational performance in practice / Marina Barsy Janer, Caro Ley, Denise Uyehara, Pia Wiegmink, Andrea Zittlau -- Performance labor and transnational capitalism in Annie Proulx' Barkskins / Leopold Lippert -- Fugitive voices: artfulness, performance, and 'the other' in advertisements for African and African American fugitives in the early national United States / Shaun Wallace -- Radical time travel: an interview with Denise Uyehara / Pia Wiegmink and Andrea Zittlau -- #god im so glad i got to go: The monster ball's transnational performances and digital traces / Katrin Horn -- Theater of war: reconstructing (trans)national affiliation and performance residue in a divided city / Juliane Braun -- Tracing, erasing, and recovering spring path: an eighteenth-century 'site of memory' in Olaudah Equiano's Jamaica / Linda Sturtz.