Pio Abad's The Collection of Jane Ryan & William Saunders is a ten-year project that has traced the material hauntings of the Philippines' dictatorial Marcos family. Employing a wide variety of media, from the more traditional forms of painting and photography to new innovations such as 3D printed sculpture and augmented reality, the artist has depicted the history of the Marcos dictatorship as a past that urgently needs to be made present. Beginning in 2012, The Collection of Jane Ryan & William Saunders culminated in 2022 with the exhibition, Fear of Freedom Makes Us See Ghosts, at the Ateneo Art Gallery in Manila. This accompanying and comprehensive publication features three essays by curators and art historians, Kathleen Ditzig, Katy Wan and Marian Pastor Roces, that present new contributions to the scholarship of Abad's work, as well as an interview with Philippine popular historian Ambeth Ocampo and the most complete visual account of the Marcoses' plunder. The Collection of Jane Ryan and William Saunders is an ongoing research project that spans a number of solo and group exhibitions from 2014. The project draws attention to the roles that certain artefacts have played in the recent history of the Philippines, specifically in shaping the cultural legacy of former Philippine dictators Ferdinand and Imelda Marcos and the absurd postcolonial ideology they enforced under the auspices of capitalist democracies during the Cold War. Using inexpensive reproduction techniques, Abad recreates items from their lavish collection of Regency-era silverware, old master paintings of uneven quality and dubious provenance and, curiously, Yugoslav naïf paintings on glass. In reconstructing this inventory, Abad identifies how the Marcoses' brand of civility was carefully choreographed and performed in ways that overshadowed many less triumphant histories and facts, from amusing anecdotes to far graver social ills. As a glaring example of the incongruous nationalist ideology tha