Sister Wendy Beckett's highly acclaimed insights into the work and psyche of Max Beckmann, one of the major Expressionist painters and graphic artists of the 20th century. The author sheds new light on the way the traumatic events in the artist's life were reflected in his painting and observes that "he painted himself as if thereby to find himself. If he could make visible...these lineaments, that expression, that visual record of his experience, then he might come to a deeper experience of what he was." By tracing the changing moods of Beckmann's painting throughout his life, Sister Wendy, with her uncanny and intimate skills of analysis, plots a fascinating series of peaks and troughs in his feeling of self-worth. She correlates these directly with events in his life, and reveals a number of hidden self-portraits. Much of Beckmann's work was dramatically influenced by the two world wars, and Sister Wendy shows how it was only the artist's last works, in America, that demonstrated he had finally reached fulfillment.