How do ""witchery"" phenomena and practices manifest within cultural, economical, political, religious, and scientific spaces in Africa and beyond? This publication is a compendium to the exhibition project and public programme 'The Incantation of the Disquieting Muse...' curated by Bonaventure Soh Bejeng Ndikung and Elena Agudio at SAVVY Contemporary, Berlin, in collaboration with the Goethe-Institut South Africa in the framework of the project 'African Futures'. Through an exhibition and a series of ""Invocations"", the project considered ""witchery"" as an epistemological space and a medium of continuities between the African continent and its Diaspora.