Author Description

Imagine a night of a hundred poets reading their work to an audience of intensely engaged, responsive, and lively people--say three thousand of them. They are a loud bunch when it is time to make noise, but they are silent as congregants at prayer when the poets' language entrances them. Imagine the reading taking place under a tent pitched on a grassy lawn that overlooks the Caribbean Sea. Imagine that this is not the north coast of Jamaica, with its cliche of white sands and coconut trees, a place glutted with cruise ship passengers and bewildered tourists; imagine instead a rugged coastline, a landscape full of the kind of character we find in the weather-beaten faces of wise old folk; imagine fishermen, farmers, ordinary workers, schoolchildren, and traveling people moving around as if they have been in this place forever and as if they all belong... Imagine one hundred poets, some whose names you know and some you have never heard of, stepping onto the stage, opening their mouths and hearts, and singing out poems of great variety, complexity, beauty, and passion... Imagine laughter and tears, imagine sighs of familiarity and moans of pain, imagine tragedies enacted in the words that move through the shelter of the tent; imagine a poem like a fist, or a sharply painful open palm, or the tender caress of fingers, or the firm grasp of a handshake. Imagine stories dropping like seeds into the ground and growing rapidly and wildly all around you. This is the setting and mood of the greatest little festival in the greatest little village in the greatest little country in the world, and this anthology is what the festival would look like were all 100 poets who have read at Calabash over the years to come together on a late-May weekend to read. So Much Things to Say is a unique gathering of a group of poets who represent at least one reckoning of the place of contemporary poetry in 2010. Contributors include Robert Pinsky, Derek Walcott, E