Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or "identification") with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] andSaboteur); Godard; Ruiz; Buñuel's That Obscure Object of Desire; Dovzhenko'sArsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; Eisenstein'sStrike; and Melville's Le Doulos.