Natalie Jackson--painter's model, department store worker, writer, muse to the Beat Generation--emerges not as a single fixed image, but as a figure refracted through many lenses. Robert Dumont gathers and assesses what remains from Allen Ginsberg's journals, Jack Kerouac's novels, police accounts, and Carolyn Cassady's memoirs, to produce a polyphonic portrait of a woman whose brief, bright, and tragic life intersected with some of the most mythologized figures of the 1950s counterculture. This haunting and lyrical book does not attempt to be a traditional biography--nor does it fictionalize the life of Natalie Jackson into a seamless narrative. Instead, Natalie is composed of shards and fragments: first-person narratives, archival echoes, journal entries, novel excerpts, photographs, and remembered voices. At once intimate and expansive, this book invites readers into a deeper understanding of a life often reduced to footnotes. Rather than dictate, it evokes--leaving room for resonance, grief, and reflection.