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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: IMITATION AND FORGERY Romance is a perennial form of modern literature, and has passed through many phases. No period has been without it, though the esteem in which it is held has varied a good deal from age to age. English literature is strong in romance; there is something in the English temper which makes scepticism ungrateful to it, and disposes it to treat even dreams seriously. Chaucer, who laughed at the romantic writers of his day, yet gave a new lease of h'fe to Romance in Troilus and Cressida and The Knightes Tale. Many of the poets of the seventeenth century chose romantic themes for their most serious work; if Davenant and Chamberlayne and others had been as successful as they were ambitious, they would have anticipated the Revival of Romance. Even in the age of Pope, the old romance subjects were still popular, though they were celebrated in books which have long been forgotten. Everyone who has studied the Troy legend of the Middle Ages knows how great a share in the popularization of the legend belongs to the Sicilian lawyer, Guido delle Colonne, who summarized, in the dull style of a Latin chronicle, and without acknowledgment, the brilliant Roman de Troie which the French poet, Benoit de Sainte-More had written for Queen Eleanor of England. Guido's matter-of-fact compilation had an enormous vogue; Chaucer, Lydgate, and Shakespeare treated it as an authority; and Caxton translated it into English prose. Through all the changes of fashion Caxton's version continued in esteem; it was repeatedly revised and reissued; and, in the very age of Pope, found what was doubtless a large public under the title The Destruction of Troy, In Three Books... With many Admirable Acts of Chivalry and Martial Prowess, effected by Valiant Knights, in the Defence and Love of di...