
On the day of his wedding, Conrad, heir to the house of Otranto, is killed in mysterious circumstances. Fearing the end of his dynasty, his father, Manfred, determines to marry Conrad's betrothed, Isabella, until a series of supernatural events stands in his way....Set in the time of the crusades, The Castle of Otranto (1764) established the Gothic as a literary form in England. With its compelling blend of psychological realism and supernatural terror, guilty secrets and unlawful desires, it has influenced a literary tradition stretching from Ann Radcliffe and Bram Stoker to Daphne Du Maurier and Stephen King.This Penguin Classics edition includes a full selection of early responses to the novel, as well as a critical introduction, chronology of Walpole's life and works, suggestions for further reading, and full explanatory notes.
The sudden, inexplicable death of the heir to Otranto on his wedding day triggers a frantic struggle for power and succession within a crumbling noble house. Manfred, the lord of the castle, attempts to secure his lineage by forcing a marriage upon his son's betrothed, Isabella, despite the moral and legal implications. His objective is met with resistance from both the young woman and a series of increasingly bizarre, supernatural occurrences that threaten the structural and spiritual integrity of the castle. The narrative unfolds through a third-person perspective that emphasizes the claustrophobic atmosphere of the setting and the mounting paranoia of the characters.
Readers and critics frequently identify this work as the foundational text of the Gothic genre, noting its influence on subsequent horror and romantic literature. Discussion often centers on the deliberate artifice of the prose and the rapid, almost theatrical pacing of the supernatural events. Many observers highlight the contrast between the novel's archaic, stylized language and the raw, visceral nature of the plot's central anxieties. Scholars often analyze how the text balances the internal psychological turmoil of its characters with the external, often absurd, manifestations of the uncanny. The work remains a primary point of reference for those interested in the evolution of suspense and the historical development of the macabre in English literature.
Page Count:
128
Publication Date:
1963-02-01
ISBN-10:
0020552009
ISBN-13:
9780020552000
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