Author Description

An analysis of about-to-die images in 19th, 20th and 21st century U.S. journalism, with some discussion of news images elsewhere, raises fundamental questions both about how these pictures depict the news, how they figure in collective memory and how they connect with the public at multiple points in time. In so doing, it suggests a refinement of how news images have been thought to function and how the public has been thought to respond.