This is a timely contribution to the debates regarding future possibilities for feminism, theater, and performance. An excellent, cross-generational mix of theater scholars (Sue-Ellen Case, Dee Heddon, Meenakshi Ponnuswami, Janelle Reinelt, Joanne Tompkins) and practitioners (Anna Furse, Leslie Hill and Helen Paris, SuAndi) engage in lively, cutting-edge critical debates on topics that include citizenship, autobiography, cultural heritage and political agency as circulating in contemporary feminism and performance.