Author Description

Looking At Musical Globalization And Vocal Music, This Collection Of Essays Studies The Complex Relationship Between The Human Voice And Cultural Identity In 20th- And 21st-century Music In Both East Asian And Western Music. The Authors Approach Musical Meaning In Specific Case Studies Against The Background Of General Trends Of Cultural Globalization And The Construction/deconstruction Of Identity Produced By Human (and Artificial) Voices. The Essays Proceed From Different Angles, Notably Sociocultural And Historical Contexts, Philosophical And Literary Aesthetics, Vocal Technique, Analysis Of Vocal Microstructures, Text/phonetics-music-relationships, Historical Vocal Sources Or Models For Contemporary Art And Pop Music, And Areas Of Conflict Between Vocalization, Ethnicity, And Cultural Identity. They Pinpoint Crucial Topical Features That Have Shaped Identity-discourses In Art And Popular Musical Situations Since The1950s, With A Special Focus On The Past Two Decades. The Volume Thus Offers A Unique Compilation Of Texts On The Human Voice In A Period Of Heightened Cultural Globalization By Utilizing Systematic Methodological Research And Firsthand Accounts On Compositional Practice By Current Asian And Western Authors [publisher Description] Introduction: Voice, Identities, And Reflexive Globalization In Contemporary Music Practices / Christian Utz And Frederick Lau -- Presence And Ethicity Of The Voice / Dieter Mersch -- The Rediscovery Of Presence: Intercultural Passages Through Vocal Spaces Between Speech And Song / Christian Utz -- Imagining The Other's Voice: On Composing Across Vocal Traditions / Sandeep Bhagwati -- Voice, Culture, And Ethnicity In Contemporary Chinese Compositions / Frederick Lau -- Narrative, Voice, And Reality In The Operas By Hosokawa Toshio And Mochizuki Misato / Fuyuko Fukunaka -- Reconsidering Traditional Vocal Practices In Contemporary Korean Music / Heekyung Lee -- Escaped From Paradise?: Construction Of Identity And Elements Of Ritual In Vocal Works By Helmut Lachenmann And Giacinto Scelsi -- Jörn Peter Hiekel -- The Notation And Use Of The Voice In Non-semantic Contexts: Phonetic Organization In The Vocal Music Of Dieter Schnebel, Brian Ferneyhough, And Georges Aperghis / Erin Gee -- A Digital Opera At The Boundaries Of Transnationalism: Human And Synthesized Voices In Zuni Icosahedron's The Memory Palace Of Matteo Ricci / Samson Young -- Voices Of The Mainstream: Red Songs And Revolutionary Identities In The People's Republic Of China / Andreas Steen -- Asagi's Voice: Learning How To Desire With Japanese Visual-kei / Oliver Seibt -- Voicing Body, Voicing Seoul: Vocalization, Body, And Ethnicity In Korean Popular Music / Michael Fuhr -- Afterword: Giving Voice To Difference / Nicholas Cook. Edited By Christian Utz And Frederick Lau. Includes Bibliographical References And Index.