Author Description

Refugee camps are established with the intention of being demolished. As a paradigmatic representation of political failure, they are meant to have no history and no future; they are meant to be forgotten. The history of refugee camps is constantly being erased and dismissed by states, humanitarian organizations, international agencies and even by refugee communities themselves, who fear that any acknowledgment of the present condition in the camp may undermine their right of return to their place of origin. The only history that is recognized is one of violence and humiliation. Yet the camp is also a place rich with stories, narrated through its urban fabric. In tracing, documenting, revealing and representing refugee history beyond the narrative of suffering and displacement, Refugee Heritage is an attempt to imagine and practice 'refugeeness' beyond humanitarianism. Such a process requires not only rethinking the refugee camp as a political space: it calls for redefining the refugee as a subject in exile and understanding exile as a contemporary political practice that is capable of challenging the status quo. The recognition of "the heritage of a culture of exile" constitutes a new perspective from which social, spatial and political structures can be imagined and experienced, beyond the idea of the nation-state. This book-dossier attempts to deactivate the claims of objectivity and universalism contained in the conventions followed by UNESCO in determining World Heritage status; it presents different narratives that do not fit within such statist discourse, reorienting heritage towards non-hegemonic forms of life and collective memory. By reusing, misusing and redirecting UNESCO World Heritage guidelines and criteria, Refugee Heritage challenges definitions of heritage and their colonial foundations, asking instead how architecture is mobilized as an agent of political transformation.