Author Description

This volume follows printmaking through a seventy-year period, from the latter part of the ninteenth century as the print, freed from its reproductive bonds, became a vehicle for pure artistic expression; through the great social and political traumas of the first half of the twentieth century, when the print was co-opted to carry a political message; and concludes in the immediate postwar years with prints that signal the artists' seach for meaning and an awareness of self.