Author Description

CONTENTSI. Meta-Art 1968-1970The Metaphysics of Conceptual Art1. My Art Education (1968) 2. Meat into Meat (1968) 3. Space, Time, Language, Form (1968) 4. Letter to Terry Atkinson (1969) 5. Re: Three Untitled Projects (1969) 6. Hypothesis (1969) II. Meta-Art 1970-1976Performance Catalysis on the Street and in the World7. Untitled Performance for Max's Kansas City (1970) 8. Talking to Myself: The Ongoing Autobiography of an Art Object (1970-1973) 9. Food for the Spirit (1971) 10. Phillip Zohn Catalysis (1972) 11. Kinds of Performing Objects I Have Been (1972) 12. Preparatory Notes for The Mythic Being (1973-1974) 13. Notes on the Mythic Being I-III (1974-1976) 14. A.-A (1974) 15. The Mythic Being: Getting Back (1975) 16. Some Reflective Surfaces I (1975) 17. Some Reflective Surfaces II (1975) III. Meta-Art 1975-1982Object Catalysis and Political Self-Awareness18. Seven Conditions on Art Production (1975) 19. art for the Art-World Surface Pattern (1976) 20. Aspects of the Liberal Dilemma (1978) 21. Some Political Self-Reflections (1980) 22. It's Just Art (1980) 23. Four Intruders plus Alarm Systems (1980) 24. Pontus Hulten's Slave to Art (1982) IV. Meta-Art 1983-1992Racism, Racial Stereotyping, and Xenophobia25. Notes on Funk I-IV (1983-1984) 26. Assorted Anti-Postmodernist Artifacts (1983) 27. My Calling (Cards) #1 and #2 (1986-1990) 28. Flying (1987) 29. The Joy of Marginality (1988) 30. Porgy (1988) 31. On Conceptual Art (1988) 32. Xenophobia and the Indexical Present I: Essay (1989) 33. Vanilla Nightmares 1986-1990 34. Xenophobia and the Indexical Present II: Lecture (1992) 35. Passing for White, Passing for Black (1992) Adrian Piper: A BiographyIndex