
Composers such as Picasso or Stravinsky after the First World War were not a return to the status quo before Cubism or before the new music but a continuation of modernism by other means. Reference back to the classical tradition (or traditions) by such artists and composers did not mean imitation or academicism but necessarily involved a profound alteration of the classical content and form. The complex theme, 'classicism in modern art and music 1914-1935', which is.
Page Count:
490
Publication Date:
1996-01-01
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