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<p>A night to remember...</p> <p>When Alexander and Norma Gold decide to attend a charity Opera event, in support of Tay-Sachs, raising money for Genetic Diseases, neither Alexander, nor Norma, are ready for the events that unfold that evening.</p> <p>Aimed at billionaires, the over-priced seats are justified by the fact that well-known actors and singers will be on stage for the popular Rigoletto.</p> <p>To Alexander, a private investigator, the plot is one that he finds hard to believe: how can a person be stabbed through the heart, then, ten minutes later, sing in the finale?</p> <p>With seats costing double their usual price, and with his famous actors and singers, director Jan Valczyk intends to give the audience a premium show.</p> <p>This show will be as real as it can get in theatre. And that's the truth.</p> <p>In the darkness, as requested by the director, the audience watch and listen.</p> <p>But for a murderer, this is the perfect setting...</p> <p>As the story unfolds on stage, Alexander and Norma start to notice the undercurrents between the actors.</p> <p>With Julia Baron predicting certain tragedies, the Gold's chalk the undercurrents as part of the acting.</p> <p>Suddenly, Thea Malabar is dead...and not just in the show.</p> <p>How could this have happened? And why?</p> <p>Horrified by the killing of his former love, Minos Zacharias retains the services of A.I.K Inc., Private Investigators, for a rather substantial sum.</p> <p>As Alexander and Norma start to investigate, alongside the police investigation, they uncover little more than the underlying suspicious nature behind Thea's death.</p> <p>Could there be a link between Thea and Helen's deaths?</p> <p>With no solid leads to follow, and with everyone seen as a potential suspect, the Gold's are at a standstill. Playing each suspect off against each other is the only way forward.</p> <p>Or is there one other option they can try before they admit they are no closer to finding the killer than the po