Alan Marshall Examines The Nature Of Democratic Thought And Expression In American Experimental Poetry, From Walt Whitman In The Mid-19th Century To George Oppen And Frank O'hara In The Mid-late 20th. The Flag Of His Disposition: Whitman's Posture -- The Poet In The Dark: Ezra Pound, An Arendtian Perspective -- 'i Am Alive--because/i Do Not Own A House': Emily Dickinson, Mina Loy, And Lorine Niedecker -- Williams Stevens Williams, Continuing Revolution -- Robert Creeley's Lonely Crowd -- 'ferocious Mumbling In Public': George Oppen -- Conclusion, 'your Marvellous Appearances': Frank O'hara. Bibliographic Level Mode Of Issuance: Monograph Includes Bibliographical References. English