This First In-depth Study Of The Reception Of Ancient Greek Drama In Israeli Theatre Over The Last 70 Years Offers Ground-breaking Analysis Of A Wide Range Of Translations, Adaptations, And New Writing, And How Performances Of These Works Were Created And Staged At Key Points In The Development Of Israeli Culture. Introduction -- Habima -- The Cameri -- Experimentations -- Aristophanes And The Occupied Territoreis -- The Trojan War And The Israeli-palestinian Conflict -- Lysistrata -- Nissim Aloni -- Hanoch Levin -- Classical Presnces And 'post Dramatic' Performances -- The Classical Tradition In The University Theatre -- Israeli Theatre Nurit Yaari. Includes Bibliographical References (pages 421-449) And Index.