As the pandemic shutdown looms over us, we are reminded of those things we took for granted: for instance, hibiscus flowers, the sea, the moon, or an elderly couple at home who are still in love. Hibiscus: poems that heal and empower seeks to convey the resonating touch of the flower itself. According to Ayurveda, the flower has many medicinal uses that include but are not limited to lowering blood pressure and preventing stroke. The anthology derives its healing power from reaching across continents. It was conceived in India by acclaimed poet, editor, and translator Kiriti Sengupta. Hibiscus houses 104 poets—luminaries like Keki N. Daruwalla, Mamang Dai, Sudeep Sen, Bina Sarkar Ellias, Sanjeev Sethi, Sanjukta Dasgupta, Wang Ping, Tim Kahl, John Grey, Michael R. Burch, Claudine Nash, Gerard Sarnat, among others. Chief editor Kiriti Sengupta writes of the concept behind the book: “As a clinician, I can tell you, healing is not all about back to normalcy, or in other words, restoration of the state of being. Healing imparts strength. It renders authority.” A distinct relationship exists between healing and empowerment that this anthology intends to convey. In the introduction written conjointly between the editors: Kiriti Sengupta, Anu Majumdar, and Dustin Pickering, the roles the collection declares for itself are made apparent. Majumdar writes, “Poetry is the first language of humanity,” and “how we heal all this,” the different levels of crisis, “is the justice that will empower the world.” Sengupta writes, “In times of crisis, one may approach the issue(s) in more than one way: we can demand remedial measures, or we can opt for a therapeutic course that will alleviate our suffering. We have every right to exercise both the means, however. Hibiscus: poems that heal and empower follows the second way of addressing hardship.” Pickering himself writes of the socio-economical devastation wreaked by the virus and implies that people return to their human